From telegraph.co.uk
Fermented honey drink enjoyed by Vikings goes on sale at Bayeux exhibition
While some may find history to be a bit dry, the British Museum has pulled out all the stops to make the Bayeux Tapestry exhibition a truly intoxicating experience by commissioning its own bottles of mead.
Tucked in the same gift shop as the more standard mugs, books and children’s toys are bottles of new “Bayeux Mead” created for the museum by the Biddenden vineyard in Kent.
This marks the first time the cultural institution has commissioned its own line of drinks.
Mead, a fermented honey drink, has been enjoyed for millennia, and Beowulf, the Anglo-Saxon epic, has scenes set in an immense “mead-hall” where warriors downed the drink.
Marketed as the “nectar of the gods” and bearing the museum’s branding, the mead will be sold to ticket holders alongside new “Bayeux” lager.
This has been appropriately brewed “for the British Museum” by the Battle Brewery, located in the Sussex village where the Battle of Hastings took place in 1066.
Lager cans feature the ill-fated King Harold II of England taking an arrow in the eye, a concluding scene from the 1,000-year-old Bayeux Tapestry, which will be open to the public from September 10.
The exhibition’s latest batch of tickets has sold out, and the museum’s display space seeks to control crowds and ensure ticket-holders can make it from one side of the 70m-long artwork to the other within their 40-minute timed slots.
On Monday night, VIP visitors attended the museum’s exhibition opening, which was attended by celebrities including actor Damian Lewis.
Despite the stature of those in the crowd, they were forced to join a queue several hundred yards long to catch a glimpse of the embroidery.
On first entering the space, visitors are shown a video that sets out some basic rules and states: “To ensure everyone can enjoy this remarkable object, please do not stop.”
If visitors do encounter dawdlers refusing to shuffle past the vast glass case, they are assured “you can move around other visitors to view the next part”.
A series of animated videos guide visitors through some of the basic history of 1066, a year in which William the Conqueror successfully contested the throne of England with Harold Godwinson.
The display room is dimly lit to protect the tapestry from damaging light and is filled with ambient music. The hope is that this will encourage a “solemn” atmosphere in which visitors will keep the noise down.
Signs also repeatedly tell visitors not to lean on the cabinet containing the fragile artwork, which could be destroyed by forceful vibrations.
Mitigating these vibrations was the most challenging aspect of moving the embroidery from Bayeux to London, a move supported by Emmanuel Macron, the French president, but opposed by many heritage experts in France because of the risks involved.
Science & Mechanics in Conservation of Heritage, an engineering company, and Hizkia, an art transportation company, transported the medieval artwork after months of preparation.
Part of this involved testing shock-proof crates on poor-quality German roads to prepare for potholes in the UK that may have caused vibration sufficient to rattle the tapestry.














